My work juggles the existential, the dreamlike, and the absurd. I explore change as a natural constant, approaching life not through its objects, but through its processes. I am more interested in how something is painted than in what is painted: a single subject can offer entirely different readings depending on on their components.

Through landscapes, elements of popular culture, and everyday objects, I explore perception and the relative nature of reality. Where familiar references act as narrative starting points rather than fixed meanings Ultimately, my work is rooted in the understanding that no thought, emotion, or experience is ever final. Change is not something to resist, but a neutral force that quietly guides the way we perceive and inhabit the world.